Mazkur ostadon boʼlaklari Sanʼatshunoslik ilmiy tadqiqot institutining ilmiy xodimlari tomonidan tiklangan. Bu ostadon yuzasida Zardushtiylik dinini qabul qilish marosimi aks ettirilgan. Bu tasvirlar har bir tomonda takrorlangan. Ularning shakli yuzasidagi tasvirlari bir xil, yuqori qismining toʼrtta burchagida boyqushga oʼxshash qush va ularni bir biri bilan bogʼlab turgan halqasimon doira shakli bor. Zardushtiylarning diniy tasavvurlariga koʼra bu qush marhum ruhini yovuz devlardan himoya qilgan. Ostadon eramizning V-VI asrlariga tegishli boʼlsada, undagi boʼrtma tasvirlar eramizdan avvalgi VI asrlardan boshlab Oʼrta Osiyo xududida keng tarqalgan Zardoʼshtiylik dini bilan bogʼliq boʼlgan marosimlar tasvirlangan deb aytish mumkin.

Bargak. KP- 166. XIX century. Dimensions: length - 39 cm. Bargak is the forehead adornment of women of the East, especially Uzbekistan. The decoration got the name "Bargak" because of the motifs in the form of leaves used in Uzbek applied art. The use of the "leaves" motif in many ornaments was not accidental, since from ancient times the leaves were considered a symbol of "nature's life and rebirth". The Bargak jewelry belongs to the XIX century, is made of silver, gilded. Such decorations were called "Golden Bargak”. The ornament consists of interconnected square plates, decorated with amber, coral and turquoise. At the bottom are leaf-shaped shocks.

"Koshin" - "Tile" (decorative plate) - used mainly in architecture. Koshin is made by pouring special clay into molds and baked in a ceramic oven at 1150 degrees. After applying various patterns, Koshin is covered with glaze and baked again in a ceramic oven. For better adhesion to the surface, the reverse side of the cut is not made evenly and smoothly, but with tubercles and grooves. Slabs were used not only to decorate the exterior and interior of the building, but also to protect it from external influences (rain and snow). Koshin belongs to the XIV century, during the reign of the Temurids. On the obverse, the Arabic calligraphy script "Alayxi - ul - vassallam" has been preserved. Natural colors of blue, white and dark blue are covered with glaze.

Kumgan. Early twentieth century. Dimensions: Height 39 cm, mouth d-9 cm, bottom d-13 cm One of the most common types of Uzbek applied decorative art and crafts is "kandakorlik". "Kandakorlik" means the processing of metal objects with carved or embossed patterns. Kumgan belongs to the beginning of the XX century, it was made by Shakhrisabz kandakor masters. Kumgan was used to boil water and to brew tea. In the central part of the vessel there is a pipe intended for the exit of smoke, which ensured the rapid boiling of water. In addition, the existing kumgans with lids ensured the preservation of water in a hot state for a long time. The surface of the kumgan is decorated with a relief pattern in the shape of a coin. The upper part of the kumgan is decorated with the form of rings and it’s caused for a more elegant look.

Ushbu sopol sanam Oʼrta Osiyo sak massagetlari etnosiga tegishlidir. But (fors) – 1) idol (sanam) – diniy sigʼinish obeʼkti hisoblanuvchi xudo yoki ruhning tasviri. Sanam - ( but, sanam; manot) Toshdan, yogʼochdan yoki metalldan inson qiyofasida (koʼpincha goʼzal ayol qiyofasida) yasalgan va ziynatlangan but. Hozirgi kunda sopol sanam muzey koʼrgazma zalida namoyish etilmoqda.

Buyuk sarkarda va hukumdor Amir Temurning piri Sayh Shamsiddin Kulol maqbarasi uchun ishlangan eshik. Bo’yi -2,19 sm. Eni- 1,19 sm. Eshik ikki tabaqali XVI-asr oʼymakorlik uslubida ishlangan. Oʼsimliksimon tasvirlar yogʼochka o’yib ishlov berilgan. Eshikning yuqori qismida arab imlosida yozuvlar mavjud.